The film industries of Latin America are at the
same time diverse and too complex. The main centers of production have been
Brazil, México and Cuba, is characteristic of this kind of cinema address
topics related to conflicts or problematic proper of Latin phenomena.
History of
Latin American cinema has as common factor the process and consequences by
dictatorship, and a particular political thought. Latin cinema is a reflection
of our latin culture, our deficiencies and problematics, but these vary between
different countries.
In Brazil, for example, filmmakers created a Cinema
Novo movement, a particular way of making movies with critical and intellectual
screenplays and a revolutionary political message. An iconic movie of this kind
of cinema is “Cidade de Deus” (City of god). This movie tells the story of
several people who live in a favela in Rio de Janeiro over almost thirty years,
between ‘60 and ’80. The same filming was too heavy, because it was conditioned
by power relations of this underworld: the filmmakers had to request the
assistance of the chief of the favela to film in their area and thus provide
adequate security conditions to perform the filming.
In Chile, many films are of this line. After and
during the dictatorship were filmed many documentals and art films related with
the offenses committed in this period. Likewise, the topics characteristics are
the poverty, crime, abuse and inequality, all of this problems of our country.

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